Dawes
Collective Concerts Presents

Dawes

Phoenix Concert TheatreTorontoOntario
Ages 19+
Dawes at the Phoenix Concert Theatre

From the first downbeat, Good Luck With Whatever, the seventh studio Album

by the Los Angeles based rock band Dawes, sets a tone all its own. The album

unfurls with the crunchy chordal cadence of what could only be Goldsmith’s

guitar. As the band quickly hop their way aboard this rhythmic rail car, we find

ourselves thinking “Hey, these guys are pretty good. I’m so glad you dragged

me to see some live music!” — “Still Feel Like A Kid” serves as a reminder

that we all love a good filet, but there’s no shame in still ordering off the kids

menu from time to time. You can hear the eye contact in the room, you can see

the lyrics as they fly from Goldsmith’s mouth straight into your ears, you’ll find

yourself singing along to a song you’re hearing for the first time. It’s fresh, it’s

raw, it’s a four tiered seafood tower of all American ear candy. Think “I Don’t

Wanna Grow Up, I’m A Toys R Us Kid” meets “I Wanna Be Sedated”.

Recorded at the historic RCA studios in Nashville Tennessee, the boys teamed

up with six time Grammy award winning producer Dave “Corn On The” Cobb

(Brandi, Jasi, Chrisi, Stergi, etc) and just decided to LET IT RIP. “We were out

in Nashville for just under 730 hours, or 1 human month” says bass player and

resident ‘problem child’ Wylie Gelber. “We wanted that sloth like urgency, that

cold heat, that all knowing curiosity. And me thinks that’s what we got.” The

arrangements are as lively as they are lovely, from the rapidly ruckus “Who Do

You Think You’re Talking To” to the robustly restrained “St. Augustine at Night”.

A culmination of their entire catalogue and career all wrapped up in nine tracks.

If you don’t know Dawes by now, you will never never never know them...

Far from apathetic, Good Luck With Whatever is Dawes at their most

unapologetic. It’s sympathetic and magnetic, 50% genetic and highly kinetic.

Songs like “Didn’t Fix Me” and “Me Especially” showcase Goldsmith’s poetic

prowess perfectly; a historian of the human condition, transforming turmoil into

motor oil. Drop the tone arm down, turn the volume up, unplug the phone and

if you still feel nothing... call a doctor.

Having self-released their music for the last 1/20 of a century, Dawes has now

joined forces with their former legal council now president of Rounder Records,

John P. Strohm. Attorney client privilege has been lifted. Finally without the

constraints of the fat cats up on Capitol Hill and their ever flowing spools of

bureaucratic red tape, Dawes and their beloved ex-ambulance chaser are

together again. Court is in session and they’re prepared to tell the truth, the

whole truth and nothing but the truth.

“We’ve learned so much over the years about what it means to be A BAND”

says drummer/free range dog farmer Griffin Goldsmith, “I used to want all our

records to be ONLY drums, but I’m finally starting to realize, maybe a lil’ bass,

keys, guitars and vocals ain’t so bad after all.” How right he is, the ballet of

interplay between these four is nothing short of breathtaking. Where Griffin

dives, Wylie ducks. Where Taylor weaves, Lee is sure to bob.

Dawes began their journey in the San Fernando Valley back in 2009, it was

the year of the Ox, but don’t be fooled, these guys are No Bulls#$t. Having

played with, for, and against some of rock’n roll’s most illustrious icons, the

merry men have picked up more than a few things when it comes to sticking

around and what it means to be a true BAND. “Sometimes I wish I did hate my

brother”, explains frontman/stuntman Taylor Goldsmith, “might sell us a few

more books... but the reality is, I can’t get enough of the guy! Scariest part

bout’ it all is, knowing we’re gonna be playing music together for a long, long

time.”

“We’re a living breathing organism,” says keyboardist/San Jose’s 15th most

famous man, Lee Pardini. “People love to say, ‘this record sounds so THIS’ and

‘that record sounds so THAT,’ but to us, it just sounds like Dawes. We make

records to document where we are at that time, but every time I check, it just

sounds like Griff, Taylor, Wylie and me.”

Good Luck With Whatever is an unfiltered photograph of a band doing what

they do best. A moment in the timeline of 10 year old band who still possess

the wonderment and fearlessness of a 10 year old man. These guys learned to

rock before they could crawl and now it’s time to let em’ run. Ask any scientist

and they’ll tell you one thing... you can’t fake chemistry.

Venue Information:
Phoenix Concert Theatre
410 Sherbourne Street

Toronto, Ontario, M5X 1K2
We are continuing to update many of our upcoming shows due to COVID-19 and the directions of the Ontario government. Ticket holders will be notified directly with any changes in event status, and you can check the status of an event below (see COVID-19 Event Updates). We encourage you to hold onto your tickets for any postponed shows as all tickets will be honoured, and we appreciate your patience as we work to schedule new dates. Refunds will be issued for any cancelled shows. If you purchased tickets from Eventbrite or Ticketmaster, they will be refunded automatically, but please be patient as their teams need time to process each refund. Physical tickets can be refunded in store. With the recent closure of Soundscapes, The Horseshoe Tavern front bar will be overseeing refunds for cancelled or postponed tickets that were purchased at Soundscapes for any shows presented by Collective Concerts, The Horseshoe Tavern or Lee's Palace. Customers can request a refund at The Horseshoe Tavern front bar when COVID restrictions are lifted and the front bar is open. Please reach out to shows@collectiveconcerts.com with any questions or concerns. We appreciate your patience and understanding during this time and wish everyone the best.
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