Kurt Vile & The Violators

Exclaim, Indie88 & Collective Concerts Present

Kurt Vile & The Violators

Steve Gunn

Wed, May 28, 2014

Doors: 8:00 pm

Phoenix Concert Theatre

Toronto, Ontario

$25.50

This event is 19 and over

www.collectiveconcerts.com

Advance Tickets available at: Rotate This and Soundscapes Music

Kurt Vile & The Violators - (Set time: 10:15 PM)
Kurt Vile & The Violators
Having been the subject and willing conspirator of many intentional lies planted in Sonic Youth bios over the years, I know first hand the way album lore can bend reality to its truth. After the infamous Byron Coley originated the SY “Trilogy” myth in the Murray Street bio, we had no choice but to fulfill those expectations with Sonic Nurse. “Why did you decide to make a trilogy?” was always the first question asked in interviews around that time.

But this is Kurt Vile’s bio, and I wont do that to him. Anyway, Kurt does his own myth making; a boy/man with an old soul voice in the age of digital everything becoming something else, which is why this focused, brilliantly clear and seemingly candid record is a breath of fresh air. Recorded and mixed in a number of locations, including Los Angeles and Joshua Tree, b’lieve i’m goin down… is a handshake across the country, east to west coast, thru the dustbowl history (“valley of ashes”) of woody honest strait forward talk guthrie, and a cali canyon dead still nite floating in a nearly waterless landscape. The record is all air, weightless, bodyless, but grounded in convincing authenticity, in the best version of singer songwriter upcycling. In Kurt’s words, “I wanted to get back into the habit of writing a sad song on my couch, with nobody waiting on me. I really wanted it to sound like it’s on my couch — not in a lo-fi way, just more unguarded and vulnerable.”

For a record that plays like a cohesive acoustic experience, its musicality marks Kurt’s departure from an electric guitar experience to include a range of instrumentation with a large group of players. From the banjo he plays on “I’m an Outlaw” to the piano and lapsteel on “Life Like This,” and the myriad other instruments on other songs, including farfisa, resonator, arps, horns and synth, one never thinks about what exactly yr listening to as it all serves the song.

The heart of the record is “Stand Inside.” The music is quiet and the melody, like a hymn, folds in on itself, and embraces full strength in a sexy, floating forcelessness that slowly gathers into a wave that doesn’t go where you think it will or rather gives in to itself and celebrates a man willing to be defined by a woman and his love for her as witness to each other’s lives… Don’t stand by my side, stand inside gives up roleplaying for true exposure and vulnerability.

It’s a weird, accepting, mature record, acknowledging the inherent immaturity of being a person whether father, husband, partner, adult, musician, not perfect, but compelling for its understanding … that’s life though so sad to say… I love this record,

b’lieve i’m goin down.

Kim Gordon
Steve Gunn - (Set time: 9:00 PM)
Steve Gunn
Steve Gunn is a New York-based guitarist and songwriter. With a career spanning nearly fifteen years, Steve has produced volumes of critically acclaimed solo, duo, and ensemble recordings. His albums with GHQ and longtime collaborating drummer John Truscinski represent milestones of contemporary guitar-driven, forward music. A voracious schedule of international performances has cultivated a fervent fanbase for Gunn's music throughout the world.
Mining the catalogs of Basho, Bull, Chapman, and Sharrock, among other titans of stringed-things and record-session royalty, Steve has steadily processed these inspirations into a singular, virtuosic stream. Friendships and collaborations with Jack Rose, Tom Carter, Meg Baird, and Michael Chapman colored the disciplined evolution of the discursive, deconstructed blues sound, at once transcendent and methodical, that is now Gunn's signature. Close listening reveals the influence of Delta and Piedmont country blues, ecstatic free jazz, and psych, as well as Gnawa and Carnatic music, on the continually unfolding compositions.
Gunn's 2009 solo masterpiece, Boerum Palace, demonstrated a fully realized power for songcraft. Steve started to sing more and developed a commanding vocal style equal to his guitar practice. His acclaimed instrumental duo recordings with Truscinski, Sand City (2010) and Ocean Parkway (2012), cemented his place among the top of his peers, both present and past. These documents display Gunn's compositional penchant for charting musical travelogues that ramble through city and wilderness alike. Dispatches home are not merely descriptive but corporeal; the evocative, rhythmic power of his writing and phrasing carries the listener along bodily. Steve builds songs as exploratory vessels, opens them up for mechanical tinkering, and lives in them through ceaseless improvisatory permutations.
Paradise of Bachelors is thrilled to release Time Off (2013), his first album as leader of a trio including longtime friends John Truscinski on drums and Justin Tripp on bass, and a record on which Steve's compelling singing features more prominently than ever before. The album features his oblique character sketches and story-songs about friends, acquaintances, and denizens of his Brooklyn neighborhood, using the trio band format to launch his compositions into new, luminous strata. This is Gunn at the top of his game, writing his most memorable tunes and lyrics, utterly unique but steeped in traditions both vernacular and avant-garde.
Venue Information:
Phoenix Concert Theatre
410 Sherbourne Street
Toronto, Ontario, M5X 1K2
http://phoenixconcerttheatre.com/