Fleet Foxes

Collective Concerts & Indie88 Present

Fleet Foxes

(Sandy) Alex G

Fri, August 4, 2017

Doors: 7:00 pm

Massey Hall

Toronto, ON

$39.50 - $59.50

This event is all ages

Fleet Foxes
Fleet Foxes
On June 16, Fleet Foxes will release Crack-Up (Nonesuch Records), its long awaited and highly anticipated third album. Crack-Up comes six years after the 2011 release of Helplessness Blues and nearly a decade since the band’s 2008 self-titled debut. Fleet Foxes has released the album track“Third of May / Ōdaigahara,” a nearly nine-minute epic powered by piano and electric twelve-string guitar, string quartet, and the group's trademark sparkling harmonies. In addition, the band has announced new tour dates, including their first North American shows since October 2011. More tour information, including North American ticket pre-sale*, is provided below. Crack-Up pre-orders are available now from iTunes and nonesuch.com, where “Third of May / Ōdaigahara” may be downloaded instantly. Pre-orders of the album at nonesuch.com also include an exclusive, limited-edition print featuring artwork by Hiroshi Hamaya.

All eleven of the songs on Crack-Up were written by Robin Pecknold. The album was co-produced by Pecknold and Skyler Skjelset, his longtime bandmate, collaborator, and childhood friend. Crack-Up was recorded at various locations across the United States between July 2016 and January 2017: at Electric Lady Studios, Sear Sound, The Void, Rare Book Room, Avast, and The Unknown. Phil Ek mixed the album, at Sear Sound, and it was mastered by Greg Calbi at Sterling Sound. Fleet Foxes is Robin Pecknold (vocals, multi-instrumentalist), Skyler Skjelset (multi-instrumentalist, vocals), Casey Wescott (multi-instrumentalist, vocals), Christian Wargo (multi-instrumentalist, vocals), and Morgan Henderson (multi-instrumentalist).

Watch the “Third of May / Ōdaigahara” Lyric Video (Created by Sean Pecknold & Adi Goodrich)
Pre-order Crack-Up
Images and album art available for download here

Fleet Foxes’ self-titled debut made a profound impact on the international musical landscape, earning them Uncut’s first ever Music Award Prize, and topping numerous “Best of ” lists, including Rolling Stone’s 100 Best Albums of the 2000’s and Pitchfork’s 50 Best Albums of 2008. Fleet Foxes is certified Gold in North America and Platinum in both the UK and Australia. The follow-up album Helplessness Blues was met with the same critical praise as its predecessor (MOJO five stars, Rolling Stone four stars, Pitchfork Best New Music); that album debuted at No. 4 on the Billboard Top 200, went Gold in the UK, and earned the band a GRAMMY nomination.
(Sandy) Alex G
(Sandy) Alex G
"It has the potential to be one of the defining American indie records" -The Quietus

Though only 21 years of age, and recently a student at Philadelphia's Temple University, DSU is Alex G's fifth album. "I have been making music for as long as I can remember. My older brother is a talented musician and, as a kid, I would take after him by playing the keyboard. I always preferred writing my own music to learning other people's work," says Alex, which may go some way to explaining the volume of original material that exists. All recorded at home, almost exclusively solo, and, until recently, all self-released and available only via Bandcamp; the volume of his work online - combined with its vitality - has helped build a fervent cult fan base, resulting in two sell out US-only pressings of DSU via the esteemed Brooklyn bedroom label Orchid Tapes.

Wise beyond his years, Alex's lyrics draw upon personal experiences whilst conveying something universal as if touching upon topics with a world-weary authority: the frustration that comes with dealing with reprobate friends, self-centred drug-use and the stinging loneliness of an unreciprocated affection all feature prominently. Like classic alternative artists Neil Young and Alex Chilton, Alex's songs are refreshingly robust and rapturous, with enough lo-fi grit to ground them in a sparse, impressionistic space.

Sonically, his palette fluctuates from the rolling rhythms of album opener 'After Ur Gone' to the distorted atmospherics of 'Hollow'; a shift that makes more sense when you realise Alex counts Silver Jews, Aphex Twin, Lucinda Williams and Boards of Canada amongst his diverse musical reference points. Everything is tied together by the ever present winding open spaces of his languid acoustic strums and the meandering melodies of that classic indie aesthetic. Lyrically each track on DSU - from the more intricate narrative of addictive highlight 'Harvey' to the overtly questioning elements of album closer 'Boy' -  reveals just enough to embolden the listener to explore beneath its surface - making what they will of Alex's introspective musings.

Much like his closest musical forebear, Elliot Smith, Alex's music offers a complimentary sense of cathartic comfort in its moodiness. DSU is evidence of Alex G's pliable sound – one which has whole crowds singing his own words back to him with voracious intent. In the US the album has already been ecstatically received, earning Alex the accolade of "the Internet's Secret Best Songwriter" from The Fader while Rolling Stone named him "a bright new talent".

Though Alex seems to gel with other musicians - "The Philadelphia scene has a few bands that I really like. Orchid Tapes is cool. Everyone in the scene is very supportive"- in many ways, he is even an outsider in a scene of outsiders; determined to succeed on his own artistic terms. As the furore for him grows internationally, the clearest and "the most magical thing about Alex G is that everyone who comes into contact with him seems to fall in love" -The 405.
Venue Information:
Massey Hall
178 Victoria St.
Toronto, ON, M5B 1T6
http://www.masseyhall.com/